Album Review: Eluveitie – Ànv

After more than two decades at the forefront of folk metal, Swiss octet Eluveitie have released their ninth full-length album, Ànv. With Ànv, Eluveitie have served up a potent blend of their signature folk metal sound infused with elements that are both fresh yet reminiscent of previous albums.

Eluveitie has long been recognized for its unique fusion of traditional Celtic folk music and Gothenburg-style melodeth, and Anv is no exception. Songs like “Aeon Of The Crescent Moon” feature fast-paced riffing, vocal duels, and Lea-Sophie Fischer’s deft violin and hurdy-gurdy work, all elements that are immediately recognizable as Eluveitie. Another familiar hallmark of their sound is the use of folky interludes, with “Anamcara” providing an acoustic, spoken piece that still grips listeners with its infectious storytelling vibes.

The lyrical themes on Ànv continue to revolve around Gaulish history and mythology, bringing a sense of authenticity and depth to the music. However, it’s not all familiar ground as there is an evident shift towards more melodic and pop-infused aspects in some tracks like “All Is One” and “The Prodigal Ones.” This approach may prove polarizing among Eluveitie fans who expect a much more raw and aggressive sound from the band.

One of the standout tracks on Ànv is undoubtedly “Memories Of Innocence,” which perfectly encapsulates the joyful feel and lively fiddling that Eluveitie excel at. This song provides a welcome contrast to some of the heavier, more intense songs on the album, making for an engaging listen from start to finish. Another strong track is “Awen,” where Fabienne Erni shines with her powerful vocals and Chrigel Glanzmann‘s ferocious growls, showcasing Eluveitie’s range as a band.

The production on Ànv is top-notch, allowing each instrument – be it the mandolin, whistles, hurdy-gurdy or traditional metal setup – to shine without overpowering one another in the dense musical landscape that defines Eluveitie’s sound. While there are moments where pop elements appear unexpectedly, like on “The Prodigal Ones,” they don’t detract from the overall experience and instead add a layer of complexity to an already rich tapestry of music.

It must be acknowledged that Eluveitie have endured personal upheaval since their last release, making Ànv even more impressive in light of these challenges. The band’s ability to push through adversity and produce yet another strong album speaks volumes about their dedication to their craft. Fans will likely view Anv as a testament to Eluveitie’s determination and perseverance, reminding us all that even the most seemingly immovable forces can be resilient in the face of adversity.

In summary, Ànv is another strong entry in Eluveitie’s impressive discography. While it may not appeal to those who prefer a rawer folk metal sound, fans will undoubtedly appreciate the blend of traditional Celtic music and Gothenburg melodeth along with some fresh touches that add complexity to an already rich musical tapestry. Moreover, we can take comfort in knowing that despite changes in their members over time, Eluveitie remains as strong and resilient as ever.